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Showing 166 items in the collection

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  • Theme

    • Oral and Personal Accounts (162)
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166 items

图书

One Day Under Martial Law

<i>One Day Under Martial Law</i> was edited by the Cultural Department of the General Political Department of the Chinese People's Liberation Army (PLA), and published and distributed by the PLA Literature and Art Publishing House in October 1989. The book is divided into two volumes and collects a total of 190 signed articles. Apart from a few police officers from the Beijing Municipal Public Security Bureau at the time, almost all the authors were soldiers from the PLA martial law troops. This book is a valuable resource provided by the martial law troops, a special group of witnesses to the June Fourth Tiananmen Incident. The book is a valuable source of information for researchers seeking information on the troops that participated in the June 4th massacre. This book was also a primary reference for scholar Wu Renhua when he wrote the book <i>The Martial Law Troops in the June Fourth Incident</i>. As an officially organized piece of propaganda material, the book's original intent was to applaud the troops and individual officers and soldiers for what the government described as "quelling the counter-revolutionary rebellion." However, because it revealed too much true information, the book was banned shortly after publication. In 1990, the publisher reissued what it called a "selected edition" of the book, which removed over a hundred articles, retaining only 80 signed articles, and the total word count of the book was reduced by more than half. The Archives has collected the original two volumes of <i>One Day Under Martial Law</i>, as well as the “selected edition" that was published after being censored.
图书

Political China: Towards an Era of Choices for a New System

This book is a collection of writings from the late 1990s regarding political system reform in China. The editors state in the afterword: “This book has collected nearly all, if not all, of the articles discussing political system reform in recent years. From this, we can see the research achievements and level of people’s understanding of political system reform in recent years.” The articles in the book cover a wide range of topics, from political system reform to democracy, the rule of law, constitutional government, freedom, rights, and economics. Although the articles in the book were all published independently before, Political China was soon banned by the authorities after its publication, and the Today China Publishing House soon shut down under official pressure.
图书

The True Face of Fang Lizhi

The True Face of Fang Lizhi was edited by the General Office of the Central Commission for Discipline Inspection of the Communist Party of China and published by Law Press in July 1989. Fang Lizhi was one of Beijing's most prominent intellectuals during the 1989 Tiananmen Square Democracy Movement. An astrophysicist, he was labeled a "rightist" in his earlier years. Starting in the autumn of 1988, he actively participated in political study groups at Beijing's universities and gave interviews to foreign media, openly criticizing the Chinese Communist Party's Four Cardinal Principles, which called for upholding socialism and the Communist Party rule. His views resonated with students in Beijing at the time. On January 6, 1989, he penned an open letter to then-Central Military Commission Chairman Deng Xiaoping, suggesting that democracy activists like Wei Jingsheng be released that year for the National Day celebrations. In February 1989, Fang Lizhi wrote "China's Hope and Disappointment," which Wang Dan and others posted as a big-character poster at Peking University. In June 1989, the CCP authorities issued an arrest warrant for Fang Lizhi on charges of "counter-revolutionary propaganda and incitement." Fang subsequently sought refuge in the U.S. Embassy and later sought exile in the United States. This book serves as a propaganda tool for the Chinese Communist Party, compiling Fang Lizhi's what the book called "reactionary statements" where he "opposed the Four Cardinal Principles and advocated bourgeois liberalization." It also gathers articles from Chinese Communist Party newspapers that criticize Fang Lizhi for "inciting and organizing the June Fourth riots." From an official government perspective, the book offers insights into Fang Lizhi's ideas and sheds light on China's social and political thought environment before and after June Fourth.
Book

The Falun Gong Phenomenon

This book is a collection of several long articles and commentaries by Hu Ping on Falun Gong and the persecution and repression against Falun Gong practitioners. From an independent perspective, this book responds to a series of unfair criticisms and stigmatization of Falun Gong by the Chinese authorities and the public, calling on society to fight for the basic rights of Falun Gong practitioners who have been persecuted.
Book

On Freedom of Speech

“On Freedom of Speech” is a treatise by Hu Ping. It was first published in 1979. A revised version was published in 1980, when Hu ran for local elections at Peking University. The treatise was later published in Hong Kong in 1981 and again in a Chinese journal in 1986. Multiple publishing houses in China made plans to distribute the treatise in book form, but China’s anti-liberalization campaign prevented the books from publishing. “On Freedom of Speech” explains the significance of freedom of speech, refutes misunderstandings and misinterpretations of freedom of speech, and proposes ways to achieve freedom of speech in China. This document, provided by the author, also includes the content of the symposium held after the publication of “On Freedom of Speech” in 1986, as well as the preface written by the author in 2009 for the Japanese translation of this treatise.
Film and Video

The Vagina Monologues (Performance at Sun Yat-sen University)

<i>The Vagina Monologues</i> is a pioneering feminist drama created by the American playwright Eva Ensler. In 2003, teachers and students at the Gender Education Forum of Sun Yat-sen University in China adapted the play and added artistic interpretations of Chinese women's gender experience. The adapted play had its first performance at the Guangdong Provincial Art Museum on December 7, 2003. This video is a recording of that performance.
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