Following the release of the documentary Our Children, this film shifts focus to ’s post-earthquake efforts to investigate and defend the rights of families who lost children in the disaster, as well as the immense obstacles and pressure he encountered in the process.
In late August 2008, after the 100-day mourning period for the May 12 Sichuan earthquake, rescue forces began to withdraw and media coverage of the school collapse deaths ceased, even though many families still had not received a satisfactory explanation as to why so many schools had collapsed while other buildings remained intact. Due to contradictory official statements, selective disclosure of information, and deliberate concealment from the public, environmental activist Tan Zuoren, along with Xie Yihui and local volunteers in Chengdu, launched an independent citizens’ investigation into the victims of the 5.12 earthquake during the winter of 2008. They believed that only those directly affected—namely, the parents—could provide truthful and reliable accounts.
They traveled across residential districts, searching for the causes of the school building collapses, recording the experiences of local residents, and tallying the number of victims. Through autumn and winter, Tan and Xie journeyed across 80 townships in 10 of the worst-hit counties, covering over 3,000 kilometers. Just before the one-year anniversary of the earthquake, they published their findings online, marking the first independently conducted citizen investigation into the school tragedies of the Sichuan quake.
During the investigation, Tan Zuoren stated, “There’s a high chance I’ll be arrested and sentenced to three or five years. I’ve already mentally prepared myself for that. But in the face of such a massive disaster, if no one stands up to speak, if we all shrink back like turtles hiding in their shells—then I’d rather spend those three or five years not seeing anyone.” As Tan anticipated, he eventually lost his freedom. His wife and daughter waited for the results of his trial.
Meanwhile, in Beijing, artist Ai Weiwei initiated a broader citizen movement. New volunteers arrived in Sichuan to compile the names of the children who had died. This film follows their footsteps, documenting their motivations, determination, and the many forms of obstruction they encountered. As Ai Weiwei wrote in a blog post before starting, there were only two scenarios in which he would stop the investigation: either he was no longer alive, or the list was complete. This film is an incomplete record of the citizen investigation. It also served as one of the pieces of testimony submitted to the court during Tan Zuoren’s trial for “inciting subversion of state power.”
On May 12, 2008, when the Great Sichuan Earthquake struck, writer Liao Yiwu began to write "Chronicle of the Great Earthquake", which was serialized in <i>Democratic China</i> and reprinted on several Chinese websites. It had a wide impact. Liao went to Dujiangyan, Juyuan Township, Yingxiu and other earthquake-hit areas to conduct on-the-spot interviews. His travels and writings during the earthquake were reported and translated by many mainstream media.
In April 2009, Taiwan's Asian Culture Publishing published and distributed the traditional Chinese edition of <i>Earthquake Insane Asylum</i>, a pictorial and textual factual record that preserves the living conditions of the people during of the Sichuan earthquake.
This documentary records the stories of the 2008 Sichuan earthquake. The narrators mainly consist of the parents of students who fell victim to the earthquake, and the film is interspersed with comments from media workers, independent scholars, internet authors, geologists, and environmental protection and legal workers. They expressed their views on the Sichuan earthquake from different perspectives.
This film is in Chinese with Chinese subtitles.
In this film, the filmmaker accompanied volunteer Xie Yihui as she visited the parents of students who died in the 2008 Sichuan earthquake to find people with knowledge of the architectural blueprint of the Beichuan Middle School. This documentary presents the rise of earthquake tourism and records the mindset of volunteers, bereaved parents, and tourists at the anniversary of the earthquake. This film is interspersed with historical film materials of Beichuan Middle School’s building samples taken by parents in 2008, as well as architect Zhu Tao’s analysis of the construction drawings and building quality. It also shows the perceptions of mothers, teachers, and photographers.
This series of films are in Chinese with Chinese subtitles.
This film follows the stories of environmental activist Tan Zuoren and artist Ai Weiwei. In July 2009, Tan Zuoren was charged with the crime of “Inciting subversion of state power,” and his trial was held in Chengdu, Sichuan Province. Ai Weiwei was invited by Tan’s lawyer to testify in court, but the night before the trial, he was assaulted by the police and detained in a hotel. To everyone’s surprise, Ai turned on the tape recorder before the police entered his residence and managed to record the incident. Later, Ai and his colleagues released a documentary about this incident, titled “Disturbing the Peace” (or “Laoma Tihua”).
This film interviews the people behind the scenes of “Disturbing the Peace,” including the director, photographers, editors, and audiences of the film, who discuss the relationship between citizens and government authority.
This series of films are in Chinese with Chinese subtitles.